Friday, March 30, 2012

Family


There are many themes found in Latino literature that can be seen in many different novels.  In Latino cultures overall, family is a big part of their every day life.  Most times, your family is the people with whom you are the closest.  In both Bodega Dreams and Dreaming in Cuban, family is defined in different ways, which also affects the characters’ decision making.  Bodega Dreams ties into the family theme differently than Dreaming in Cuban.  However, in both novels, we can begin to explore the importance of family, the roles it plays in people’s lives, and how it is defined in the two different cultures. Family, as explored in Bodega Dreams and Dreaming in Cuban can be defined in more than one way and can include more than one group of people. 

Bodega Dreams is a novel that takes place in Spanish Harlem in the context of a Puerto Rican environment.  In this book, the characters are seeking to better their family lives as well as seek out those they care for.  Chino bases a lot of his decisions on his family.  However, I think that his family has two aspects.  At the beginning of the novel, Chino makes a lot of decisions for his family, his wife and child.   He begins to work for Bodega because he wants to provide for his family, especially with a baby on the way.  He wants to be the father, the provider, and the husband for his wife and child.  His other family is later defined.  Bodega and Sapo are another family that Chino strives to care for and protect.  Throughout the novel, Bodega, Sapo, and Chino all talk about having each other’s back.  It is all about being there for each other, supporting each other, and caring for the others as if they were your brothers.  Family can be defined in several ways and I think Chino and his different families demonstrate this. 

Dreaming in Cuban is a novel that takes place in Cuba as well as the United States with a Cuban context.  In this novel, the characters have their family and it is developed throughout the novel.   The family relationships in this novel are more related between the female characters.  It develops the mother-daughter and sister-sister relationships more than the entire family.  The relationship Pilar has with her family demonstrates many layers of family relationships.  In the beginning, Pilar has a strong relationship with her father and rebels against her mother.  However, this changes when she is let down by her father, finding out he is cheating on her mother.  After this, Pilar forms a close relationship with her mother.  Her family aspects and relationships change when she sees discovers the mistakes her father has made, how he has let her and her mother down.  Her relationship with her grandmother then grows especially strong when she and her mother travel to Cuba.  It allows her to bond with her family, a part of her family to which she hasn’t ever really connected.  This novel demonstrates how family sticks together.  This drove her decision from rebelling against her mother to supporting her.  Her mother was hurt because of her father and therefore, she wanted to protect that part of her family and relationship.

In both Bodega Dreams and Dreaming in Cuban, family plays a large role.  However, the definition of family changes as the story and characters develop.  These novels demonstrate the different parts of family, and how family can have more than one definition and more than one group of people.  They both demonstrate the important aspect of seeking to protect your family, especially when being attacked by another, whether verbal or physical.  Dreaming in Cuban and Bodega Dreams display the desire to protect those you care for.  In Dreaming in Cuban, Pilar grows closer to her mother and wants to be there for her when her father lets them down.  In Bodega Dreams, Sapo and Chino always have each other’s backs in fights, physical fights.  These two novels show how families protect each other, whether it is biological family or otherwise defined as such.    

5 comments:

  1. Krista, thanks for your ideas about family throughout both of these novels. It is interesting to note the two families that Chino is strongly tied to. In my blog, I looked at how these two families (which I called two different cultures) tear him into two directions, but ultimately he can keep an important relationship with both of them.

    Each novel, as you mention, shows that families protect each other. I think this stems from a strong trust that goes two ways and is never questioned. Though Sapo always brings up past experiences in order to encourage Chino to help him, he recognizes that regardless of Chino's initial hesitance, Chino will help him.

    On another note, did you see any significant differences in families between Cuban and Puerto Rican literature? Perhaps that is too difficult to describe because the novels themselves focus on quite different family structures.

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  2. I like what you said about family going beyond immediate family as well. Chino really does seem to view his community - or at least parts of it - as his family, Sapo case in point. It got me thinking about communities acting as an extension of family in Dreaming in Cuban. At first I didn't think that there was much of that in it - Pilar's immediate family always seemed a bit isolated. But then I thought about Celia and how she throws herself into furthering the Revolution by being a Judge and a community leader, and I thought that perhaps she was treating her community at large as part of her family because most of her biological family is either gone, far away, or mentally distant.

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  3. Krista, I like your definition of family in the beginning of your blog post because it doesn't define family necessarily by blood: Family is the people you are closest to. I appreciate also how you acknowledge that family is defined in different ways. I agree with your incites about Chino and his two families (Blanca and his child, Sapo and Bodega, etc) in Bodega Dreams. I think it's so interesting how Chino could have two families that are different as night and day from one another. HIs two families, it seems, could not coexist peacefully together, yet they continue to be important to his life and his very identity.

    I'm glad you talked about the women in particular who make up the extended family in Dreaming in Cuban, because, though men play a role, it is mainly the women who tell their stories, and as you said, the family relationships are focused around the women. To understand the book, it is important to consider this point.

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  4. Krista, I think you highlight one of the biggest differences between latino cultures and American culture in general, and that is the definition of family. So many misconceptions and prejudices are centered around this (how many times have you heard someone complain about that latino family with too many people living in their house?).

    So it’s important, I think, that you point out the difference between the definition of family in these two books. Not only is the definition different between cultures, but it is different within the same culture as well. Important for us to remember, so we don’t create too broad of a stereotype about a culture.

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  5. Family is indeed an important feature in the Latino literature we've been studying. Your post acknowledges that "family can have more than one definition and more than one group of people." However, I'd like to hear more from you about what some of these different definitions might be in the novels. For instance, in Bodega Dreams the emphasis is on the family unit of husband-wife-and-child in the present. In Dreaming in Cuban the focus is on the multi-generational family, and family loyalty seems to extend through the generations and across an ocean. Do you think this is because it is women who actually hold the intergenerational family together? In Bodega Dreams, Chino's male friends seem to compete with his family for attention and loyalty. Is there a gender issue here? As you work on your paper, you will want to focus your thesis a bit more.

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